Stories that hold us back and stories that heal

January 10th, 2011

Since I shared my story here about my father’s heart attack and illness, I’ve been reflecting on the healing power of words, metaphor and story.

I came to my work as a therapist through my fascination with stories – the stories we tell ourselves inside our minds, the stories that get passed down to us from our parents or respected teachers and the stories we need to tell someone else so that we can be listened to, witnessed, heard.

Some of these stories can be unhelpful or, over time, we outgrow them. If we keep telling ourselves the same unhelpful story over and over again, we can get stuck in it, temporarily losing our ability to embrace new possibilities.

When I was first studying on the creative writing for personal development programme at the University of Sussex, I began working as a volunteer ‘writing mentor’ with clients of this amazing organisation.

I met people who wanted and needed to process painful experiences by getting them out onto the page, shaping their stories in some way, giving them form and meaning. I learnt so much from the people I met and worked with that I decided to research the area of writing and healing for my PhD thesis and then to train as a therapist.

The tradition I now draw upon in my work as a therapist and coach includes the work of Milton Erickson, father of modern hypnotherapy (although, to my knowledge, Erickson never called himself a ‘hypnotherapist’). Erickson was passionate about the hypnotic power of story – the way that stories can work on an unconscious level, drawing us into the narrative, helping us to gain new insights into our experiences, sometimes without us even needing to know consciously that anything is happening.

Erickson loved to craft therapeutic stories for his clients.

When my father recently moved from the acute ward in the hospital to a smaller ward to begin his recovery, he was cheered by being able to swap stories with the other patients he could now meet and talk with, people who’d had similar experiences to his own.

And I too have reached for a story to guide me through the last week or so – because I believe that we can choose and shape the stories we tell ourselves about everything and anything that is happening in our lives.

Before my father’s collapse, I had already signed-up for Bloom by Moon, a beautiful space held by Amy Palko about crafting a relationship to the goddess myths and lunar cycles.

For this January Moon, Amy shared with us her re-telling of the Persephone myth. In Amy’s telling, Persephone grows into her full womanhood by accepting and integrating the world of darkness, eventually reconciling her life above ground for half the year with her life beneath the ground, shining her light into the dark tunnels of the underworld as a guide for lost souls and bringing the fruit of her knowledge of death and darkness upwards with her into the light.

This is the story I choose.

It’s a powerful story, one that reminds me, at this challenging time in my family’s life, of the gifts inside the darkness and our ability to shine light, wherever we are.

Whole-hearted learning and the healing power of stories

January 6th, 2011

Since I shared my story of my dad’s heart attack, collapse and ongoing illness last week on this blog, I’ve been so grateful for all the wonderful messages of support that I’ve received. So many people have contacted me by email and shared their own personal stories with me or added their comments to my Facebook page.

I want to thank each and every one of you from the bottom of my heart for sharing this experience with me so generously. Your stories and love have given me such enormous strength over the last few days.

You know, I almost didn’t hit the ‘Publish’ button on that blog post. I wondered if it was too personal or whether, as a therapist, I was crossing the line, doing too much of what in therapy-speak we call ‘self-disclosure.’

There’s no doubt that, when I wrote my story in the early hours of Monday when I couldn’t sleep, it was just for me. It was because I felt that my body wasn’t big enough to hold all the emotion. It was welling up inside me, pressing against the inside of my chest so that I could barely breath.

I had to get it ‘out there’ somehow – and the way that I know best, the way I find most helpful, is to pick up a pen or tap away at the keyboard.

As the words flowed, I began to feel calm.

My belief in this healing power of writing is what drives my Word Sauce writing programme. (Lots of new developments ready to launch in that area soon, people, just as soon as my dad is fully on his way to recovery, so please do watch out for that.)

Tapping into that therapeutic writing process is one thing. But to then put the product of that process out there in the world – well, isn’t that a bit attention-seeking or even self-indulgent? Is it appropriate?

Strangely enough, right now, I’m working with my current group of Word Saucerers on a module of the Word Sauce Programme that is all about reading and being read, about how to become a kind, compassionate reader of our own stories, those stories we tell ourselves inside our heads, and how to nurture our own talents and abilities with words, the ‘sauce’ of our very own juiciness.

Given that, I decided that it was especially important that I shared my story, sent it into the world, despite my hesitations and trepidations.

But there was something more too.

As soon as the words were there on the screen, they were not just for me anymore, not just about me and dad anymore.

It was suddenly so clear to me that the story itself is everyone’s story – the story of love and of what it feels like to love someone, the story of daughters and fathers, children and parents all over the world since the beginning of time, the story of what it is to be human, of what it is to have a very human heart.

And I believe that stories help us all to make meaning out of the very darkest of times. Stories help us to stop and reflect and wonder.

I’m keeping a little notebook in my handbag right now and jotting down thoughts and reflections, words and jargon that strike me as I shuttle between home and hospital ward. It helps.

It also gives me a sense that I’m making something out of it all. I’m not sure quite what yet, but the feelings are already arranging themsleves into new forms.

I notice, for example, how often in everyday language we all use words and phrases like ‘from the heart’ or ‘whole-heartedly’ or ‘take heart from…’

I’ve been noticing how, when I speak to a nurse or the registrar, I find myself placing my hand over my own heart for emphasis, even though I might be saying something totally unconnected with the condition of my dad’s arteries and the medical decisions that need to be made.

It’s almost funny to catch myself saying on the phone to my mum, ‘I’m taking great heart from the fact that he’s looking so much better today.’ It’s as if I’m cracking one of my dad’s own terrible corny jokes.

But it’s surely not coincidental, the verbal and non-verbal body-based metaphors we find ourselves using. I’ve been observing them for years now, in client sessions and in people’s writing. I’ve been researching this connection for years too. Our bodies make their way into our words all the time. Our bodies are always trying to be heard.

What is it, I wonder, that’s trying to make itself heard in your life right now? What do you notice when you really slow down and listen? How is your body trying to speak to you? What are the stories that are most helpful to you and what stories do you need to tell or get ‘out there’ onto the page?

Tomorrow, I’ll be writing about a particular story – a mythic story – that has been helping me to make sense of my journey over the last few days. I’d love to  hear about the stories that have been helpful to you in your own life.

Wednesday Wordsauce: A story told and retold

February 24th, 2010

“Memory is continually created, a story told and retold, using jigsaw pieces of experience. It’s utterly unreliable in some ways, because who can say whether the feeling or emotion that seems to belong to the recollection actually belongs to it rather than being available from the general store of likely emotions we have learned? Memory is not false in the sense that it is willfully bad, but it is excitingly corrupt in its inclination to make a proper story of the past.”

Jenny Diski

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